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Final cut pro key images1/12/2024 ![]() If you still see parts left in your gram, head over to the Matte Generation tool. It’s best to use the Alpha channel because you get a clearer picture of the hues left. The black parts are the areas that will be removed. In the Alpha channel, the parts of your image that are white are the portions that will stay in the frame. You can get a better view of what green hues are currently being keyed out by switching the Output mode to the Alpha channel. Under the Ultra Key, select the color picker and select a portion of the green screen near your subject. It will then appear in the Video Effects tab. Drag the Ultra Key effect onto your clip in the timeline. Once you’re finished with making the circle, head to the Effects panel and search for the Ultra Key effect. ![]() The end goal is to leave out any sections on the outer corners of the frame that may not be the same green hue as the center. Think of this step like you’re cutting something out of a magazine for a collage. With the pen, draw a circle outline around your subject. Go to the Video Effects tab and select the pen tool. It’s now time to start keying out the green from your top clip. When you key out the green of the clip, the layer behind the clip will show through. Make sure to place the green screen clip in the layer above the clip you want to swap into the background. To start, import your clips into Premiere Pro’s timeline. Keying in Premiere Pro Step one: place your clips into the timeline Let’s go over the process of chroma keying in three popular applications: Premiere Pro, DaVinci Resolve and Final Cut Pro. While the process is similar in a lot of them, they each have some variations to their workflows. There are a lot of great post-production software out there that have green screen keyers. Typically, chromakeying is for removing green screen backgrounds so you can replace the background with another video. ![]() Chroma keying is the process of removing a color from the background of a video. ![]()
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